James Patterson's explosive debut in the young adult market is guaranteed to create legions of new fans for this beloved, multimillion-selling author.
Fang, Iggy, Nudge, the Gasman, Angel, and Maximum: Six kids who are pretty normal in most ways—except that they're 98% human, 2% bird. They grew up in cages, living like rats, but now they're free. Riding the wind, their wings are an amazing gift...and yet, their world can morph into a nightmare in a single instant. For when the bloodthirsty Erasers—half men, half-wolves genetically engineered by sick and sinister scientists—kidnap little Angel, the Flock embarks on a rescue mission that will change them forever.
From Death Valley, California, to the bowels of the New York City subway system, 14-year-old Max leads her five feisty "family" members on a journey full of nonstop action, adventure, and soul-seeking—not to mention a little bit of saving the world on the side!
James Patterson's facile writing and Evan Rachel Wood's expressive, wide-eyed reading make this entrée for the teen audience a remarkable success. A group of bird-kids, genetically altered with avian DNA, and led by Max, have escaped from the experimental "school" and must survive the perils of other mutants as they save the youngest member of their flock. Wood has all the slang and colloquial pacing down pat. Teens will love the chaotic chases and frantic action--Wood in Max's first-person narrative has the aura of a comic book superhero. The abridgment is smartly done, and Wood keeps listeners' attention. R.F.W. (c) AudioFile 2005, Portland, Maine
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In the second installment in the Maximum Ride series, Max and her flock of genetically altered children are moving closer to understanding the reason for their existence--or at least for the modifications that have been made to them. Valentina de Angelis sets off at a strong pace in a narration that betrays a fondness for her characters in a tone pitched for kids. The periodic musical background is a bit of a distraction, however. It varies in length and at times appears to be a signal that a chapter is ending, at other times an indication of abridgment, and at still other times simply background. The longer passages add a sense of sentimentality that seems unwarranted. J.E.M. [Editor's Note: A soundreview is available at Audiopolis, www.audiofilemagazine.com] (c) AudioFile 2006, Portland, Maine
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